The opera "Carmen" caused a scandal at its premiere at the Opéra Comique in Paris. Now the feisty Carmen returns to where it all began. Andreas Homoki sets his new production at the Opéra Comique in several eras. Mezzo-soprano Gaëlle Arquez shines in the leading role, with Louis Langrée as musical director. Georges Bizet's world-famous opera returns to the site of its world premiere in 1875. German director Andreas Homoki transposes the story of the beautiful Romani woman and the soldier Don José into three epochs corresponding to the opera: the year of its scandalous premiere; the time of the Resistance, which alludes to the secret love affair; and the present day with the #MeToo movement, which stands for the heroine's sexual emancipation. Recording from April 26, 2023 at the Opéra Comique, Paris

One of the most successful operas in the world will open the 99th Opera Festival in Verona in the summer of 2022: "Carmen" will transform the famous arena into a Seville full of joy and freedom. With "Carmen" George Bizet created an opera that caused scandal and uproar in 1875 just because of its title heroine. 3sat is showing the opera in a production by Franco Zeffirell with a brilliant cast of stars including Elīna Garanča and Brian Jagde.

Carmen, presented in a production at the French Opera House.

Bizet's masterwork, Carmen, directed for stage by the Spanish actress Núria Espert.Royal Opera House in Covent Garden in 1989.

The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.

Biopic about the composer.

Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.

With a devilish sway of the hips and a hint of Andalusian flair, Carmen, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest. Composed to a libretto by Meilhac and Halévy based on Prosper Mérimée’s novella, the opera exploded the boundaries between tragedy and comedy with a modernity that caused a scandal at the time. Can we kill the one we love with love? The fiery beauty of Bizet’s music, where one unforgettable aria follows another, has worked year in, year out to make it the world’s most performed opera.

Salome, princess of Judea, the daughter‑in‑law of King Herod, finds life in her father‑in‑law’s palace dreary. Her curiosity is roused when she hears the voice of Jochanaan, a prophet held prisoner by Herod who is afraid of him. Obsessed by this enigmatic and virtuous man, Salome is ready to do anything to possess him, dead or alive. Drawing on Oscar Wilde’s scandalous play of the same name, in 1905 Richard Strauss produced the work that was to ensure his status as Wagner’s successor in the history of German opera. A dazzling hour and forty minutes, decadent in its very essence, which, for her debut at the Paris Opera, Lydia Steier treats as a dystopia in which amorality rules.

“Manon is like any person who, strolling down the street one day, glances up at a second-story window and catches a glimpse of a different life,” explains Vincent Huguet about his staging of Massenet’s Manon, “a life that she suddenly desires ardently … and will do anything to have.” In his update of Prévost’s famous novel, Huguet demonstrates, with empathy and acuity, that Manon’s tale could really be anyone’s.